![]() ![]() 12 Engstrom CM, Loeb GE, Reid JG, Forrest WJ, Avruch L.The significance of sarcopenia in the elderly. Am J Physiol Endocrinol Metab 239 1980E524E530 Compartmental body composition based on total-body nitrogen, potassium, and calcium. 10 Cohn SH, Vartsky D, Yasumura S, Sawitsky A, Zanzi I, Vaswani A, Ellis KJ.Longitudinal and cross-sectional assessments of age changes in physical strength as related to sex, social class, and mental ability. Gross tissue weights in the human body by cadaver dissection. 8 Clarys JP, Martin AD, Drinkwater DT.J Gerontol A Biol Sci Med Sci 38 1983673677 ![]() Age changes in body composition revealed by computed tomography. 7 Borkan GA, Hults DE, Gerzof SG, Robbins AH, Silbert CK.Relationship of body composition muscle strength, and aerobic capacity to bone mineral density in older men and women. 6 Bevier WC, Wiswell RA, Pyka G, Kozak KC, Newhall KM, Marcus R.Muscle cross-sectional measurements by magnetic resonance imaging. Isometric muscle force production as a function of age in healthy 20–74-yr-old men. 4 Bemben MG, Massey BH, Bemben DA, Misner JE, Boileau RA.Predictors of skeletal muscle mass in elderly men and women. 3 Baumgartner RN, Waters DL, Gallagher D, Morley JE, Garry PJ.Epidemiology of sarcopenia among the elderly in New Mexico. 2 Baumgartner RN, Koehler KM, Gallagher D, Romero L, Heymsfield SB, Ross R, Garry PJ, Lineman RD.Normal values for handgrip strength in 920 men and women aged 65 years, and longitudinal changes over 4 years in 620 survivors. Independent of gender, aging is associated with a decrease in SM mass that is explained, in large measure, by a decrease in lower body SM occurring after the fifth decade. These findings indicate that men have more SM than women and that these gender differences are greater in the upper body. Although a linear relationship existed between SM and height, the relationship between SM and body weight was curvilinear because the contribution of SM to weight gain decreased with increasing body weight. Weight and height explained ∼50% of the variance in SM mass in men and women. This decrease was primarily attributed to a decrease in lower body SM. We observed a reduction in relative SM mass starting in the third decade however, a noticeable decrease in absolute SM mass was not observed until the end of the fifth decade. The gender differences were greater in the upper (40%) than lower (33%) body ( P < 0.01). 21.0 kg) and relative to body mass (38.4 vs. Men had significantly ( P < 0.001) more SM in comparison to women in both absolute terms (33.0 vs. We employed a whole body magnetic resonance imaging protocol to examine the influence of age, gender, body weight, and height on skeletal muscle (SM) mass and distribution in a large and heterogeneous sample of 468 men and women. ![]()
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![]() ![]() Sonys PlayStation Network store (the PSN store), Steam, or smartphone stores such as Apples App. Add the game to your Steam account using the REDEEM ON STEAM button at. Race your friends in local mode or online, with up to eight players on 16 iconic circuits from the world of Garfield. place (as when a timer cuts you off in a racing game). Time to go do some Garfield Kart Furious Racing Date of experience: April 02. Summary: The famous lasagna-loving cat is back to take on Jon, Odie, and company in a no-holds-barred racing game Choose your character and kart according to their characteristics and your driving style, get off the starting line first and control skids to outrun your opponents. sweet leaf: SOUND VOLE Search Steam X y & Sell Onlir X. Are you lazy like Garfield? Take shortcuts to overtake the other racers with the Spring! All Discussions Screenshots Artwork Broadcasts Videos News Guides Reviews Forum: Start a New Discussion < > Showing 1-15 of 261 active topics 25 May 10 8:08pm PINNED: SOLVED Problem with. Generally favorable reviews based on 11 Ratings.![]() Use crazy bonus objects, like the Pillow or the Magic Wand, to gain an edge and get over the finishing line first. Garfield, the famous lasagna-loving cat is back to take on Jon, Odie and company in a no-holds-barred racing game Choose your character and kart according to their characteristics and your driving style, get off the starting line first and control skids to outrun your opponents. Garfield, the famous lasagna-loving cat is back to take on Jon, Odie and company in a no-holds-barred racing game!Ĭhoose your character and kart according to their characteristics and your driving style, get off the starting line first and control skids to outrun your opponents. Give us a call or send us a message were available all day everyday. ![]() ![]() Due to its lack of legs, this failed experiment is slow, but it can attack from a distance by spitting radioactive acid, and at close range, it can tear flesh with its claws of surgical steel. Acid Spitter The crazy doctors have removed his digestive and vascular system and replaced it with a tank of acid which allows more tolerance to radiation. They carry a large ritual hammer with which they punish any member who has lost their faith. Their tormented souls continue to search for fresh blood to complete the ritual that will save them from death while alive. After many years their bodies have rotted inside their deteriorated anti-radiation suits. Members of an ancient sect who were locked in the depths of the mansion. They are especially fast as they travel on a wheelchair and their skeletal clawed arms are extremely long. ![]() Early on, you are warned not to let the shadows embrace you… Old people with dementia, abandoned by their relatives, with no one to care about them, were subjected to horrible experiments, their eyes with cataracts were removed and a tuning fork in their heads sends sound vibrations directly to their brains to pounce directly towards anything that makes noise. There are also darker threats at play – quite literally. From terrifying, wheelchair-bound atrocities to vile disembowelled crawlers – you’ll have to keep your wits about you at all times. It doesn’t take long to learn that you are not alone in Winterlake – the previous inhabitants’ creations running amok in the hallways. Classic gameplay, with a modern control scheme and a dynamic camera (for a new generation) Engage in deadly combat Scavenge essential resources & tools and decipher clues FACE TERRIFYING MONSTERS… ![]() Can you confront your fears and uncover the secrets of Winterlake… or will you die trying?” The classic survival-horror genre is back! Deliberately sets out to draw inspiration from the original Resident Evil and Alone in the Dark series. Solve puzzles and face sinister enemies in deadly combat in this relentless nightmare. ![]() As Caroline Walker, explore the terrifying halls of an abandoned mansion on the hunt for missing twin girls – but you are not alone. ![]() ![]() ![]() The appeal may be made to the chancery court of the county where the aggrieved applicant resides at the option of the applicant. (2) Any applicant aggrieved by a decision of the medical review board or the commissioner may appeal in accordance with the Uniform Administrative Procedures Act, compiled in title 4, chapter 5. The commissioner shall then supply a certificate or decal, indicating the degree of exemption, to the applicant who shall display it in the motor vehicle. If the review board finds the exemption warranted, it shall recommend that the commissioner authorize the exemption, and the degree of tinting exemption that is appropriate. ![]() The commissioner shall submit the certified statement to the department's medical review board for evaluation. (1) Notwithstanding subdivision (a)(1) to the contrary, any person with a medical condition that is adversely affected by ultraviolet light may submit a statement to the commissioner from that person's physician certifying that the person has a medical condition that requires reduction of light transmission in the windows of the person's vehicle in excess of the standards established in subsection (a). (B) This subdivision (a)(6) shall not be construed in any way to exempt the front door windows of any motor vehicle of any kind from the specifications of subdivision (a)(1)(A). (iv) Any motor vehicle owned or leased by private investigators or investigations companies licensed pursuant to title 62, chapter 26. (iii) Any motor vehicle that is registered in another state and meets the requirements of the state of registration and (ii) Any motor vehicle bearing commercial license plates or government service license plates that are used for law enforcement purposes, for those windows rearward of the front doors (i) Any motor vehicle model permitted by federal regulations to be equipped with certain windows tinted so as not to conform to the specifications of subdivision (a)(1)(A) with respect to those certain windows (A) The restrictions of this subsection (a) do not apply to any of the following motor vehicles: (5) The owner of any vehicle in question has the burden of proof that the motor vehicle is in compliance with this section. (D) The legend “This receipt shall be kept with motor vehicle registration documents.” (C) The legend “Complies with Tennessee Code Annotated, § 55-9-107, at date of installation” and (B) Make, model, paint color and license plate number and state (4) All professional installers of window tinting materials shall supply each customer with a signed receipt for each motor vehicle to which tinting materials have been applied that includes: (B) The legend “Complies with Tennessee Code Annotated, § 55-9-107.” (3) All professional installers of window tinting materials shall supply and shall affix to the lower right corner of the driver's window an adhesive label, the size and style of which shall be determined by the commissioner of safety, that includes: (2) Any person who installs window tinting materials in this state for profit, barter, or wages or commissions is defined as a “professional installer” for the purposes of this section and it is unlawful for a professional installer to apply tinting materials to any motor vehicle so as to cause that motor vehicle to be in violation of this section. (B) With the exception of the manufacturer's standard installed shade band, reduces the visible light transmittance in the windshield below seventy percent (70%). (A) Has a visible light transmittance of less than thirty-five percent (35%) or 205, codified in 49 CFR 571.205, has been altered, treated or replaced by the affixing, application or installation of any material that: (1) It is unlawful for any person to operate, upon a public highway, street or road, any motor vehicle in which any window that has a visible light transmittance equal to, but not less than, that specified in the Federal Motor Vehicle Safety Standard No. ![]() ![]() This area is served by the Houston Independent attendance zone. Or, in some listings, the all bills paid one will specifically say “$900/month, all bills paid”. THE HULEN HILLS APARTMENTS ARE A WOUNDERFUL PLACE TO LIVE. Smaller room $550 a month bigger rooms $650 a month all bills paid. 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I found myself almost rooting for the little bar as it stretched its tiny form to offer pulpy machine gun fire and searing explosions from the first battle scene, all the way to the sizzling crunch of the Arc reactor’s lightning bolts in the climax. A full rewatch of Iron Man was a delight. That’s not to say the Ray can’t punch up your favorite action movies. Each line of dialogue, each shuffle of paper, and other minutia of the circa-2000s office were relayed with depth and clarity as the bar seemed to savor the finer details. This isn’t a slight mind you-a lot of cheap and small soundbars tend to focus more on bombastic fervor than the subtle moments, where a lot of us spend most of our TV time. I’ll get to its musical skills shortly, but when it comes to TV content the Ray is at its best elevating common fare, from your local newscast to sitcoms like The Office. That makes the bar particularly appealing to those living in tight quarters, where the Ray will flourish best. This helps the overall profile sound more balanced and organic between registers, but you definitely lose the impact of the very lowest frequencies. Unlike other mini-bars like the Magnifi Mini and so many ultra-slim bars, the Ray doesn’t lean on a subwoofer to fill out its lower frequencies. The Ray also puts out relatively full midbass, which is a good thing because that’s about as far into the bass register as it goes. The sound is great for TV shows, but the Ray also does well with action movies. There’s notable clarity up high, a rich and full midrange, and a soundstage that can pop up a few feet beyond its tiny metrics when called upon. It’s all the more impressive when you consider the vast amount of DSP (digital signal processing), compression, and acoustic expansion the system requires to pump out sound beyond its size. The first thing you’ll likely notice is just how smooth and natural the Ray’s sound signature is, while still keeping details present. I had a similar experience with the Roam, both of which seem to use every millimeter of their sonic enclosures to squeeze out rich, musical, and (in the Ray’s case), cinematic sound. With the Ray, I could tell from the quick few chimes of the audio logo during setup that I was in for a fun time. Sometimes you just know immediately that a sound system is going to outperform your expectations. While this design touch is part of a larger sonic puzzle that helps the Ray sound much bigger than it has a right to, it does mean the bar could creep up and block part of the screen for low-profile TVs. The one caveat to the Ray’s miniature status is its height the bar expands from back to front like a crescendo, rising at the grille to 2.79 inches, a shade higher than the Beam. Simplicity and minimalism are calling cards of the Sonos aesthetic. You can read more about TV remote compatibility on the Sonos website. Since the bar does not support HDMI ARC connection and relies on an IR signal for TV remote programming, this could complicate usability for some. One thing you'll note is there's no remote control in the box. In a small cardboard compartment you’ll find the charging cable, a digital Optical cable in matching colors, and instructions that begin and end with the Sonos app. Unwrapping the system within reveals a matte, monochromatic bar (in white or black) that’s as much wireless speaker as soundbar, reminiscent of the early Wi-Fi streaming days when products like the B&W Zeppelin ruled the roost. ![]() ![]() The Sonos Ray arrives in a strikingly small box. Audio formats: Stereo PCM, Dolby Digital, DTS digital surround.Other features: IR receiver, Trueplay (iOS only), Speech Enhancement, Night Sound.Smart features: Requires smart speaker for voice assistant or Sonos Voice Control.Wired connection: Ethernet, digital Optical input. ![]() Wireless connection: Wi-Fi, Spotify Connect, Apple AirPlay 2, Sonos ecosystem.Amplification: Four Class-D digital amplifiers.Speakers/drivers: Two full-range woofers, two tweeters, bass reflex system.Height x Width x Depth: 2.79 x 22 x 3.74 inches.The Ray looks small but stout on your TV console, with a flex toward the grille for acoustic efficiency. ![]() ![]() I was trying to amend some of these instances when I noticed this. I already have an orchestral template (Studio One song) with Kontakt instances using Kontakt 5 of which I have the full version. If you load a preset '.nki.' from your library and open it in Kontakt Player 6, then create a sound variation for it, then you have to open all other 'nki' instruments in Kontakt Player 6 for the sound variation to be seen and opened. It seems you have to be careful that whatever version of Kontakt you use, the sound variation templates won't open in another version ie. Komplete versions after this have Kontakt version 6, and consequently I only have Kontakt Player 6 as a free version (which I needed when I bought 'Dominus' choir package). I bought my Komplete11 Ultimate packeage when Kontakt was nearing the end of Version 5. OK, after playing around with this, this is what I've found. Of course I can now start to put everything back - but its quite a hassle, and since there are already two scenarios in which this happened I am not sure this won't happen again in a different context. Opening the Sound Variations window from a midi event shows all available key switches from my VSL instrument, but the key switches in the midi event themselves (in the Sound Variations lane) are gone. Since VSL is the first to support this new type of automatic articulation integration its interesting to see it only happened on those tracks. ![]() I opened a SO5.2 project from a few days earlier and the sound variations from my VSL instruments are all gone, while those of other instruments (Spitfire for example) are still there. One other forum user commented something similar happened to him/her.Ģ) This one might be hard to reproduce, but I had to reinstall my Windows PC yesterday and reinstalled everything including SO5.2. In my cases these key switches where gone - removed as if they never existed. But I noticed 2 things that are in my opinion bugs, and I wonder if anyone else can reproduce this, or experienced similar problems.ġ) Open a SO5.1 project in SO5.2 that already has key switches defined on some (or all) of your instrument tracks. So while I can't speak to it compared to other music software, as a pencil and paper person, I'm having a great experience with it.When the SO 5.2 update became available I was very pleasantly surprised to see how key switches evolved into the new Sound Variations feature. The playback options and the consequences for the score itself are limited right now, as Amadeus mentioned, but for me that hasn't been an issue yet. I found the shortcuts easy to learn (from nothing), the note entry is quick & easy, and the newest version does realtime MIDI recording. The layout engine "knows" my intention with very little coaxing from me (if any) and the rendering is gorgeous. ![]() I understand that's where their power lies, but as a hobbyist I'm not interested in micro placement of anything I just want it to be fast to lay stuff down that's close enough to read later. I had previously settled on Notion for quick renderings because I found Sibelius and Finale way too fiddly. My preferred "medium" for composing is pencil and paper (usually at the piano) so when I use software I want it to behave like a much faster and easier version of paper. So in general I think it is a great tool to give you a first impression and I think this will be my preferred way of working in the future. Although it might not sound as good as a fully programmed mockup, and there are also some things that noteperformer doesn't perform as it should, I think the overall result is quite decent (especially when I consider the amount of work that it needs to produce a mockup in cubase). I really have to say that I enjoyed working with a notation program and noteperformer. Initially I just wanted to learn the program by sketching out a little idea I had, but that lead me to another one, and somehow I ended up combining three little themes into a short orchestral suiteĭorico is actually the first notation program I have ever worked with, so coming from more of a "midi-background" I might still be a little bit unfamiliar with all the notation details etc.Īs I wanted to write the piece as if it could be performed by live players, I'd be super grateful for any insights/tips regarding the orchestration that some of the more experienced people could give me I was really unsure about a lot of decisions I made. I wanted to share with you my first composition using Dorico + Noteperformer. ![]() ![]() ![]() You can also specify the chapter name in Preferences. Chapter markers at beginning of MP4 and MOV movies are now optional.Built-in Metadata editor, to tag your movies directly inside SimpleMovieX.After using Add commands of Edit menu, some movie characteristics were not consistently displayed."Long Description" field of metadata was not properly written in save operation.panel now shows by default the folder of original file. Queries of metadata from Amazon will stop working by Augunless you upgrade to 3.9.1.Art covers from not loading since August 2009.Audio languages not displayed in submenu.Fading effect when editing on Search Pane.App hangs if the file name contains a non-latin character.Message "Not connect to Internet" would block app if other dialog pops-up at the same time.After saving audio-only movie with chapters, chapters selector now longer works."Report a bug" when no document open doesn't work.Check Updates would be reseted to "checked" if upon first use, we uncheck it, then app crashes.Error -2010 or other related problems after saving, or closing then re-opening modified version of a movie file.Crash when opening very short audio files.Warning if text in metadata exceeds 255 characters (will truncate).Improved audio waveform (scale now based on 99% distribution, not on peak).Copy/Paste metadata now also includes artwork.Artworks from Amazon are now high resolution."Scale segment" now defaults duration to pasteboard duration.Instead of converting XVID files (very slow), SimpleMovieX makes them playable on AppleTV, iPad, iPhones and iPods by mutating into MPEG4 Video (very fast) (Experimental) Add to iTunes mutating XVID to MPEG4:.Rename the audio tracks and set languages.Merge audio and video by dragging them on blank document.MP4 native saving now supports multiple audio tracks, and also Dolby AC3. ![]() Making necessary arrangements to make movie compatible with selected devices (iPad, iPhone, AppleTV, iPod) Several crasher bug fixes in saving and splitting operations.Adapted to Amazon API changes, otherwise metadata fetching would stop working in Oct'2011.Fixed app becoming becoming unresponsive when loading long duration MP3 and AAC files.You can return to the main page for this software by clicking here. This is the version history page for SimpleMovieX, showing the last 20 software updates. ![]() ![]() I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.īBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The shows have also been nominated for a 2021 BAFTA.Īlthough both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. I also designed and built the majority of the graphics as Motion templates. Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago. Will we see a slimmed down Premiere on touch devices next? ![]() Alternatively you could always use it to add a photobomb to a picture before posting it on Facebook. ![]() Being able to work on content wherever and whenever is the way forward and this app will only help to make that possible. We are not suggesting that for serious work, creative professionals are going to swap their desktops and laptops for hand-held devices. The Adobe Photoshop Touch overview includes a variety of touch devices: “Adobe is dedicated to serving our customers’ evolving creative workflow and we heard, loud and clear, that Photoshop fans wanted some core Adobe imaging magic on their smartphones.” “Mobile phones are increasingly becoming the primary tool for people to take and edit photos," said Winston Hendrickson, vice president products, Creative Media Solutions, Adobe. ![]() Automatically sync images to Adobe Creative Cloud™ with free 2GB of storage. ![]()
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